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Director: Michael Bay Writers: George Gallo, Marianne Wibberley Stars: Will Smith, Martin Lawrence, Gabrielle Union ountry: USA Language: English | Hindi Release Date: 18 July 2003 Quality: BRRip 480p 400MB
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Bad Boys 2 2003 Dual Audio Hindi+ English 480p BRRip 400MB, Bad Boys 2 2003 Hindi 720p Download… Eight years after the events of the first film, Miami Police Department (MPD) narcotics division detectives Marcus Burnett and Mike Lowrey are investigating the flow of ecstasy into the city, leading them to a Ku Klux Klan meeting and drug drop… Bad Boys 2 2003 Full Movie Download In Hindi Dubbed 720p Bluray
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Directors: Mike Fetterly, Steve Sacks Writers: Mike Montesano, Ted Zizik Stars: Erin Fitzgerald, Steve Staley, Ogie Banks Country: USA Language: ESub {Dual Audio} {Hindi 2.0 + English DD 2.0} Release Date: 9 October 2012 Quality: BRRip 720p 650MB
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Monster High Ghouls Rule! 2012 ESub {Dual Audio} {Hindi + English} 720p BRRip, Monster High Ghouls Rule! 2012 Hindi 720p Download… When the freaky-fab guys and ghouls of Monster High get wrongly accused of Halloween high jinx by a group of normies, things get spooky. But can they prove their innocence in time for a spooktacular celebration?.. Monster High Ghouls Rule! 2012 Full Movie Download In Hindi Dubbed 720p Bluray
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Curse of the Golden Flower 2006 {Dual Audio} {Hindi 2.0 English DD 2.0} 720p BRRip
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Director: Yimou Zhang Writers: Zhihong Bian, Yu Cao Stars: Yun-Fat Chow, Li Gong, Jay Chou Country: China | Hong Kong Language: {Dual Audio} {Hindi 2.0 English DD 2.0} 720p Release Date: 12 January 2007 Quality: BRRip 720p 1.1GB
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Curse of the Golden Flower 2006 {Dual Audio} {Hindi 2.0 English DD 2.0} 720p BRRip, Curse of the Golden Flower 2006 Hindi 720p Download… China, Later Tang Dynasty, 10th Century. On the eve of the Chong Yang Festival, golden flowers fill the Imperial Palace. The Emperor (Chow Yun Fat) returns unexpectedly with his second son, Prince Jai (Jay Chou). His pretext is to celebrate the holiday with his family, but given the chilled relations between the Emperor and the ailing Empress (Gong Li), this seems disingenuous. For many years, the Empress and Crown Prince Wan (Liu Ye), her stepson, have had an illicit liaison…. Curse of the Golden Flower 2006 Full Movie Download In Hindi Dubbed 720p Bluray
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A little over four decades ago, in 1977, the first film in the epic Star Wars saga (that would extend over years to come) released with the release of A NEW HOPE. Now after nine films in the saga, we see the release of a spin off story line that brings fans in touch with the origins of one of the most loved characters Han Solo. But will this new age space western do justice to the mammoth legend of Han Solo or will it like so many other spin off/ origin satires falter, is the question of the hour.
SOLO: A STAR WARS STORY follows the escapades of Han Solo before he became the legend. Starting off from the early days, the film depicts the squalor that Solo came from that was ruled by the tyrannical Lady Proxima and his constant schemes and efforts to pay his way out. Besides this like most of the films in the saga, this one too features a budding love story angle between Solo and Qi’ra. But will the two young romantics find a way out of the hell hole or will they fall prey to the Empire’s growing power is what forms the rest of the film.
Starting off one must bear in mind that the happenings in SOLO are dated before the rebellion came into being. In fact the film goes on to depict the rise of the Empire into a force to reckon with. While at the same time laying the base upon which the legend of Han Solo is built. If that wasn’t enough, through a series of daring escapades deep within a dark and dangerous criminal underworld, Han Solo meets his mighty future co-pilot Chewbacca and encounters the notorious gambler Lando Calrissian, in a journey that will set the course of one of the Star Wars saga’s most unlikely heroes.
First things first, with director Ron Howard at the helm of the film, one expects nothing less than a visual spectacle. Known for films like APOLLO 13, A BEAUTIFUL MIND and more recently RUSH and INFERNO, Howard brings with him, expectations of a space western film on epic proportions. However, unlike Howard’s previous cinematic outings, SOLO: A STAR WARS STORY offers little scope for sweeping cinematic visuals. Despite this, when given the chance to depict a world that has been ravaged by time, Howard works his magic with aplomb. Going into SOLO: A STAR WARS STORY, viewers are already aware of the fact that it will feature some of the high points of Han’s life that eventually made him the smuggler with a heart of gold, unfortunately this exact premise hampers the entire telling of what could become an epic due to the limited scope to explore unknown avenues, a detail upon which most of the film in the Star Wars franchise that thrived. But despite this, Howard has managed to pull together an enjoyable film that sadly looks like a series of highlight from a character’s life.
Coming to the performances, Alden Ehrenreich is no Harrison Ford, but he does manage to do a commendable job with the role of Han Solo. Joonas Suotamo as the lovable Chewbacca and Donald Glover as Lando Calrissian are sorely underused. Despite having prominent roles in the film, both their characters (though only supporting roles) appear to be greatly under developed and half baked. One wishes that both Chewbacca and Lando were given more meatier chunks to explore the entire depth of their characters. But it is the roles of Woody Harrelson as Beckett and Emilia Clarke as Qi’ra that come across the most dejecting. In fact, both good actors in their own right fall flat with a narrative that focuses on Solo alone. While one wishes that these two were used more to their full potential being a Han Solo film, they are relegated to the shadows serving only as waypoints to take the story forward.
However, the biggest drawback of SOLO: A STAR WARS STORY is the writing and the narrative, with most of the suspense lost, the makers have had to rely heavily on the epic tale of Solo to develop a narrative that does justice to his character. Sadly, this does not suffice. Instead the film comes across as a rather poor attempt at developing a new story line to encash on an epic saga that has neared the end of its money making heydays. Simply put, with an underwhelming story and weak narrative SOLO: A STAR WARS STORY is devoid of that charm and charisma that have over the years endeared the epic of STAR WARS to so many fans.
Even the background score of the film, unlike most Howard directorial seems greatly underused. With a fall back to the now legendary Star Wars theme every now and then, this new venture offers very little to the viewers. But it isn’t all downhill. Though limited, the action and race sequences are well shot and choreographed but one wishes there were more. The CGI too though done well could have been so much better had the story line of the film given room to develop a bit more.
On the whole, SOLO: A STAR WARS STORY leaves you with a somewhat empty feeling. With nothing new to tell in the story and very little scope to deviate from the past, the film becomes just another run of the mill cinematic outings that is developed to cash grab the last bits of money from a fading franchise. At the box office, with the John Abraham starrer Parmanu releasing alongside the film, SOLO: A STAR WARS STORY might just face a hard time raking in the numbers.
Over the recent couple of months or rather years, we have been seeing a rise in the number of old classics being remade with the latest technology. But are these recreations worth their while or are they just an eye candy is a pertinent question. This week we see the release of yet another film, BLADE RUNNER 2049, from the days gone by getting new life breathed into it. But will this recreation work at the box office or will it like so many others before it, be lost is the question of the hour.
The film starts off by setting the premise by depicting a world in 2049 that has been ravaged by humanity. After the development of humanoid artificial intelligence that has begun to become sentient a new generation of human- robot hybrids are developed which follow commands. From them a certain segment is categorized as Blade Runners whose sole purpose is to hunt down and ‘retire’ the older models. The story of BLADE RUNNER follows a young blade runner’s discovery of a long-buried secret leads him to track down former blade runner Rick Deckard, who’s been missing for thirty years. Will he uncover the truth behind his being or will he become yet another scrapped bot in an endless war is what makes the rest of the film.
Like most post-apocalyptic films, BLADE RUNNER 2049 too relies heavily on visuals that convey the desperate fate humanity finds itself in. However, what works for the film apart from the visuals is a marvellous sound track that coupled together transports the viewer into the world of 2049. Though a bit slow in parts, the director of the film Denis Villeneuve does manage to keep you in your seat with well-timed action sequences. Besides this, Villeneuve also manages to give each character that is introduced, a plausible backstory while at the same time taking the film forward without spending precious minutes on explanations. Interestingly, despite being a bleak science- fiction film, BLADE RUNNER 2049 turns out to be quite unlike other films that have focused on racking up the body count. Instead the film focusses more on the story of the characters while simultaneously margining actions, drama, and emotion together all set against a grim backdrop.
Since the original BLADE RUNNER developed by Ridley Scott was a masterpiece for its time, the biggest question that comes to mind is will Denis Villeneuve, despite his past performance behind the camera in films like SICARIO, be able to pull off Scott’s dystopian world? However, once the film starts, these doubts vanish like the foliage that is all but gone. In fact Villeneuve’s vision of BLADE RUNNER 2049 is startlingly well made. Though, here credit needs to be awarded to the brilliant director of photography Roger Deakins, who has done a stellar job of bringing to life Scott’s vision. However, it wasn’t only Villeneuve and Deakins combination that makes BLADE RUNNER riveting. Adding a thrilling suspense element is the background score developed by the musical genius Hans Zimmer. From the first chord itself, the viewer is unsettled by the score that coupled with the visuals goes a long way in defining the film. Like the title track in WONDER WOMAN and for that matter Zimmer’s previous score for DUNKIRK, the audiences are kept on the edge of their seats.
Coming to the performances, the entire cast seems to have put their best foot forward. Starting with Ryan Gosling, on whose character the entire film revolves, has done a brilliant job of portraying agent ‘K’. His lacklustre expressions towards conventional environments that would elicit a response go a long way in setting the baseline for a character that is expected to be detached and emotionless. From there, Gosling does well as he takes viewers on a journey of discovery as he begins to feel emotions. Similarly, Harrison Ford who has over the years featured on celluloid as iconic characters be it Han Solo or Indiana Jones, has done some of his best work in this film. In fact Ford’s performance as Deckard, in the small yet vital role in BLADE RUNNER 2049, can easily be termed as one of his best. Doing equally good job is the villainous duo of Jared Leto as Neander Wallace, the evil head of a corporation that heads the new world order, and Sylvia Hoeks as Neander’s hit-woman Luv. While Leto doesn’t have much screen time, his presence is felt through Hoeks as she goes about her business executing orders from her superior. Also doing an impressive job is Ana de Armas as Joi, K’s artificial girlfriend. Though her role doesn’t appear to be much, while at the same time reminding viewers of Alicia Vikander in EX MACHINA, she does a great job of grounding agent K and giving him a side that makes him human.
On the whole, while director Denis Villeneuve will certainly be getting a standing ovation for BLADE RUNNER 2049, it must be noted that unlike most others who would have preferred on making a reboot, Villeneuve picks up where the previous film left off with aplomb. Call it a science – fiction or character based film, both of which will still hold true, the film turns out to be an engrossing mix of stellar visuals coupled with a riveting background score that keeps the viewers glued to their seats. However, given the limited release that BLADE RUNNER 2049 gets in India, the film won’t be able to post impressive numbers at the box office.
Back in 2011, we saw the release of the film THOR featuring Chris Hemsworth as the God of Thunder, later in 2013 we saw him return in THE DARK WORLD and save the earth with assistance from his brother Loki (Tom Hiddleston). Since then we have seen the God of Thunder return as a part of the Avengers series where he fought alongside earth’s mightiest warriors to defend the planet again from Ultron. Well, now we see him return to the big screen with the film THOR: RAGNAROK. But will the film which is the third in the series work as a ‘Marvel’ at the box office or will it like some of the other sequels fail to match up to the previous films. Let’s analyse.
First off, THOR: RAGNAROK starts off with the God of Thunder imprisoned on the other side of the universe. Here he finds himself in a race against time to get back to Asgard to stop Ragnarok, the destruction of his home world and the end of Asgardian civilization, at the hands of an all-powerful new threat, the ruthless Hela (Cate Blanchett). From here on the film follows Thor’s journey as he battles Hela with the assistance of his brother Loki and others. But will the Asgardian succeed in defeating the all-powerful Hela or will his world fall, is what makes up the rest of the film.
The film starts off with a monologue by Thor who is being held captive on an alien planet in chains. From here, the film introduces Surtur voiced by Clancy Brown who explains that he is the reckoning of Asgard. After learning this, Thor who has of late been plagued with visions of his home world being destroyed promptly goes ahead and vanquishes his foe. One done, Thor heads back to Asgard only to learn that Odin (Anthony Hopkins) isn’t really who he seems to be. Post learning this, he then sets out on a mission to find his father and restore Asgard back to its glory. Thor accompanied by Loki finds Odin only to be told that his time has come, and along with that Hela the goddess of death will be released from her prison. Hela, who was once Odin’s right hand grew too powerful and her thirst to acquire the throne of Asgard lead her to be imprisoned.
After Odin’s death, Thor and Loki come face to face with Hela, who proves to be too strong for them. In an attempt to flee back to Asgard via the bifrost, the two inadvertently offer Hela a ride back as well. While on the way back to Asgard, within the bifrost beam, a second skirmish breaks out which tosses Loki and Thor into the abyss. Fortunately, both of them land separately on the plant Sakaar. Here, Thor who lands much after Loki finds himself being held prisoner yet again, this time without the assistance of his hammer Molinor that was destroyed in the first fight with Hela. Sakaar, which is ruled by the Grandmaster (Jeff Goldblum), is a planet of the rejects who live to witness the gladiatorial fights that are a regular feature. Thor who has shown potential as a warrior is pitted against the Grandmaster’s champion who happens to be the Hulk. Thrilled at seeing a familiar face, Thor tries his best to get the mindless brute to assist him in returning back to Asgard to defeat Hela. In the meantime back on Asgard, Hela reigns supreme as she lays waste to the entire Asgardian army while resurrecting her own army of the dead. What follows is a grand battle between Thor and Hela with Asgard as the prize.
Chris Hemsworth, who has reprised the role of Thor in the previous films as well, does a good job with the character. However, given the fact that unlike the previous films in the Thor series, RAGNAROK features a lot more colour combined with a fun comic elements that keep the proceedings peppy and fast. Tom Hiddleston as Loki is good in his part as the god of mischief; however it is Cate Blanchett as Hela who steals the show. Very rarely do you see a character developed with such power and menace that just the visual of her can make your hair stand. The last time a character like this was seen on screen, it was in The Dark Knight with Heath Ledger essaying the role of the Joker. Due credit goes to the writers of the film who have done a marvelous job of interweaving a back story for Hela into the film’s proceedings without diverging from the current track.
Another point to mention here is the background score that keeps up the tempo to match the on-screen visuals and the constant exchange of witty lines that makes the film a fun watch.
Coupled with the performances, the VFX team have done an equally brilliant job of bringing a fantasy world to life. From costumes to the massive explosions and the larger than life action sequences, the team has done a stellar and seamless job of merging live action with CGI.
On the whole, THOR: RAGNAROK that features witty one liners, sarcastic humour and plenty of action makes for a fun watch. Well timed comic sequences and well-choreographed action sequences aplenty make the film a perfect masala entertainer. At the Indian box office, THOR: RAGNAROK stands a good chance of posting impressive numbers given that it’s releasing on a big scale and in multiple languages.
The craze for DC comics and its characters is unparalleled. Ever since the DC Extended Universe films are out, it has created a lot of buzz despite not so favourable response for MAN OF STEEL and BATMAN VS SUPERMAN: DAWN OF JUSTICE. However, SUICIDE SQUAD was loved while WONDER WOMAN that released earlier this year got loads of appreciation. Now, the fifth film, JUSTICE LEAGUE, is out and does it manage to meet the humongous expectations? Or does it emerge as a letdown like the first two DC films? Let’s analyse.
JUSTICE LEAGUE is the story of a group of superheroes coming together for a greater cause. After the death of Superman (Henry Cavill), Bruce Wayne aka Batman (Ben Affleck) and his new found ally Diana Prince aka Wonder Woman (Gal Gadot) assemble a team of heroes and outcasts consisting of Barry Allen aka The Flash (Ezra Miller), Arthur Curry aka Aquaman (Jason Momoa) and Victor Stone aka Cyborg (Ray Fisher). Their mission is to defeat Steppenwolf (Ciarán Hinds) and his army of Parademons. Steppenwolf is trying to search for the three ancient Mother Boxes scattered around the Earth and unite them for unlimited power. How the members of the Justice League put aside their differences and weaknesses and battle it out with Steppenwolf forms the rest of the film.
THE AVENGERS series of Marvel is extremely successful and has formed a benchmark of sorts in this genre. JUSTICE LEAGUE however fails to reach that level. The conflicts and conversations between the superheroes are not as exciting. Few of the jokes of Flash fall flat, shockingly. The villain’s entry is evil and scary but in the later part of the film, he doesn’t seem as powerful as one expects him to be. Also, one doesn’t feel connected to the guilt faced by Bruce over the demise of the Superman. On the positive side however, the action scenes and the VFX save the day. The film is just 120 minutes long and thankfully, the story moves quite swiftly. Wonder Woman’s entry is terrific. Also, Flash’s introductory scene makes for a nice watch. Post-interval, the entire bit related to Superman does raise interest level. Even though the pace drops in this sequence, it’s quite touching. The finale is explosive but the film leaves a lot to be desired. One has seen better superhero films than these and in this regard, JUSTICE LEAGUE will surely disappoint fans.
Chris Terrio and Zack Snyder’s story is nothing new. Chris Terrio and Joss Whedon’s screenplay however could have been more interesting and engaging. This was crucial because viewers have been exposed to a lot of superhero films in the last 5-6 years and in that regard, JUSTICE LEAGUE should have stood out. Also, the previous few films of DC haven’t done that well and JUSTICE LEAGUE was a chance to get back in the big league. But the routine screenplay ensures that JUSTICE LEAGUE turns to be an average fare. Zack Snyder’s direction still has its charm, but only in certain places. He’s a pro when it comes to slo-mo scenes and the scenes of Flash are very well helmed. Even the introductory scene is presented in classic Snyder style and is worth a watch. But he could have done better and taken JUSTICE LEAGUE to another level which he doesn’t.
Performance-wise, Ben Affleck delivers an apt performance. Viewers have now accepted him as Batman and he manages to put up a good show. Gal Godot is gorgeous as expected and enhances impact in several scenes. The super success of WONDER WOMAN has made viewers hope for more of Gal in this flick and thankfully in that regard, she doesn’t disappoint viewers. Ezra Miller is sincere but somewhere, it doesn’t have the desired impact. Jason Momoa looks dashing and delivers an effective performance although his screen time is limited. Ray Fisher gives a fine performance and shines even in the emotional scenes. Henry Cavill has a very important part to play and he rocks the show. Jeremy Irons (Alfred Pennyworth) is decent. Amy Adams (Lois Lane) does very well in a supporting part. Ciarán Hinds looks quite villainous and convincing and performance-wise, he is okay. Diane Lane (Martha Kent) leaves a mark in a cameo. Connie Nielsen (Hippolyta), Joe Morton (Silas Stone) and others do well.
Danny Elfman’s music is dramatic but also subtle and not in-your-face. Fabian Wagner’s cinematography is eye-catching. David Brenne, Richard Pearson and Martin Walsh’s editing is simple and neat. Patrick Tatopoulos’s production design is rich, just like you’d expect in any big superhero Hollywood film. VFX and action are two of the most important reasons why this film succeeds to a great extent.
On the whole, JUSTICE LEAGUE is an average superhero flick and nowhere near the rival Marvel’s THE AVENGERS series. The film’s story is nothing exciting while the characters are interesting but the bond between them is not electrifying as such. This one is only for the die-hard fans! At the box office, with the dubbed version not getting a timely release, its business in India would surely be limited.
